New Creamsource Vortex2 Series | Compact Vortex Lighting from Starlite

New Creamsource Vortex2 Series | Compact Vortex Lighting from Starlite

Creamsource Vortex2 Series compact LED lighting fixture

Creamsource Vortex2 Series: A Compact Addition to the Vortex Family

Creamsource has expanded its trusted Vortex lineup with the new Vortex2 Series. This compact 160W platform brings the familiar power, color consistency, and rugged build quality of the Vortex family into a smaller, more flexible form.

As an official Creamsource dealer, Starlite is excited to see the Vortex ecosystem continue to grow. The Vortex2 Series gives production teams a compact tool for fast-moving setups, tight spaces, and changing conditions.

The series includes two models. The Vortex2 offers a tighter, more directional beam. The Vortex2 Soft provides a wider native spread for broader coverage. Together, they give crews more flexibility while keeping the same Creamsource workflow across the lineup.

How the Creamsource Vortex2 Series Moves with the Production

Compact fixtures often become some of the most useful tools on set. They move easily, rig quickly, and fit into spaces where larger fixtures may not be practical.

That is where the Vortex2 Series stands out. Its compact 160W design makes it easy to place in tight spots. Crews can also add it to multi-light arrays or rig it into more complex setups. As a result, it works well as a flexible source that stays close to the action.

The series also carries over the same core Vortex DNA. That includes CreamOS, IP65 weather resistance, RRGBBW color technology, and familiar control workflows. Because of that, crews can keep a dependable Vortex workflow across many production environments.

Two Output Options in the Creamsource Vortex2 Series

The Vortex2 Series gives users two output options. Each model supports a different type of setup.

The Vortex2 is the more directional model. It features a native 20° beam angle for tighter, more focused output. As a result, it works well when punch, shape, and control matter.

The Vortex2 Soft offers a native 110° spread. This makes it the better choice when crews need broader, softer coverage from a compact fixture.

Both models share the same compact platform. Therefore, crews can choose the output they need while keeping a consistent workflow, control experience, and color response across the Vortex family.

Designed for real-world rigging and control

Creamsource built the Vortex2 Series for practical production use. The fixtures include features that help crews work faster and cleaner on set.

Built-in LumenRadio, etherCON, pass-through DMX, and pass-through power support efficient multi-fixture setups. They also make daisy-chaining more practical. That means crews can simplify cabling when working with several units, longer linear arrays, or tight environments.

In addition, Creamsource added rigging features specifically for this series. These include multiple LNX sockets, 3/8” rigging points, a center mount socket, and support for a center mount gooseneck. Plus, the front-load accessory mounting system carries over. This gives crews a practical way to work with modifiers and accessories.

A 3-pin XLR DC input also supports portable battery operation with existing battery systems. As a result, the fixtures offer even more flexibility for location work and mobile production setups.

Starlite Creamsource V2 and V2S

Key Features Include:

  • 160W compact form factor
  • Two model options: directional and soft
  • 20° beam angle on Vortex2
  • 110° native spread on Vortex2 Soft
  • IP65-rated weather resistance
  • RRGBBW LED engine with red, deep red, green, blue, royal blue, and white emitters
  • CreamOS workflow
  • Built-in LumenRadio
  • etherCON connectivity
  • Pass-through DMX and power
  • Multiple LNX sockets and 3/8” rigging points
  • 3-pin XLR DC input for portable battery operation
  • Compatibility with the growing Vortex accessory ecosystem

Consistent Color Across the Creamsource Vortex Lineup

For crews already familiar with Creamsource, the Vortex2 Series offers a major advantage. It fits directly into the larger Vortex ecosystem.

The series uses Creamsource’s CCMS — Creamsource Colour Management System. This system helps maintain accurate and consistent color across the Vortex range. Therefore, crews can integrate Vortex2 Series fixtures alongside other Vortex units with confidence.

They also get a familiar operating environment, consistent color response, and a workflow they already understand. For film, broadcast, live events, studio work, and installations, that kind of consistency matters.

A Flexible Lighting Tool for Modern Productions

The Vortex2 Series supports a wide range of professional applications, including:

  • Film and television production
  • Broadcast and studio environments
  • Corporate events and branded experiences
  • Live events and performance spaces
  • Streaming and content production
  • Education, theater, and installed systems
  • Location work where compact, durable fixtures are essential

Crews can use the Vortex2 Series as a focused source, a soft compact wash, or part of a larger array. They can also move it from setup to setup as production needs change. Overall, it gives teams another practical option within the Creamsource lineup.

New from Creamsource, available through Starlite

The new Creamsource Vortex2 Series brings the trusted Vortex platform into a smaller, highly adaptable package. It offers professional control, rugged construction, consistent color, and flexible rigging options. Together, these features support the pace and demands of modern production.

As an official Creamsource dealer, Starlite can help clients explore the Vortex2 Series. Our team can also help determine how these new fixtures may fit into your production, system, or equipment needs.

Interested in purchasing or learning more about the Creamsource Vortex2 Series? Contact the Starlite team today.

Creamsource V2 lens_Starlite
Creamsource V2S lens-Starlite
Why Your Casino Floor Deserves More Than Adequate Sound and Light

Why Your Casino Floor Deserves More Than Adequate Sound and Light

Parx Casino Lighting by Starlite

Every casino is in the business of immersion. The moment a guest steps through your doors, you are asking them to believe in an environment. That belief is built through every sense at once, and when your casino event production falls short in audio, visual, or lighting, the spell breaks. You lose them before they ever sit down.

The Stakes Are Different in Casino Event Production

Production managers at gaming properties carry one of the most complex briefs in live entertainment. On any given week, your venue may need to host a headline concert in the main showroom, a private high-roller reception in a ballroom, a general session for 1,200 conference attendees, and a themed activation on the casino floor. Each of these demands a different technical setup, a different crew approach, and a different standard of execution.

That is not simply an events calendar. It is an infrastructure challenge, and it demands a production partner who understands the difference between showing up and showing up prepared.

The right AV partner does not just fulfill your tech rider. They protect your brand, your guest experience, and your operational timeline, every single time.

Most venues can absorb a slow setup or an audio hiccup. A casino cannot. Your property operates around the clock. Load-in windows are narrow. Your guests are high-value and highly expectant. Consequently, a sound system that muddies dialogue during a comedy headliner, or lighting that flickers during a VIP dinner, is not a minor inconvenience. It is a brand failure with real revenue consequences.

Casino entertainment spaces also present some of the most acoustically complex challenges in live production. Sprawling open floor plans, hard, reflective surfaces, and ambient noise bleeding in from gaming areas are not problems a plug-and-play rental company is equipped to solve. They require engineered solutions, proper system design, and experienced professionals who have worked these rooms before.

Three Production Pillars Every Casino Property Should Demand

1. Audio: Clarity in Difficult Rooms

Line arrays, distributed systems, and proper gain staging designed around your specific architecture are all essential. A generic setup dropped in and left to chance is not a solution. Your audio system should be engineered for the room, not borrowed from a warehouse and hoped for the best.

2. Visual: Screens That Perform

From LED walls for main stage productions to seamless IMAG systems for large general sessions, your visual infrastructure should match the scale of your programming. Beyond that, it should be operated by technicians who understand pacing, camera direction, and how to keep an audience engaged across a long-format event.

3. Lighting: Atmosphere by Design

Concert-grade moving fixtures, precision color mixing, and control systems that let your team shift from a black-tie gala to a rock show with a single cue are the baseline. Great lighting design does not just illuminate a room. It transforms it, and in a casino environment, that transformation is part of what you are selling.

As a starting point, consider how industry organizations like AVIXA define best practices for large-venue audio and visual integration. Those standards exist precisely because casino AV production at scale requires more than off-the-shelf solutions.

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What Separates a Production Partner from a Rental Vendor

A rental vendor delivers equipment and a driver. A production partner delivers outcomes. For a property like yours, that distinction matters enormously, and it shows up in the moments that are hardest to plan for.

When an artist’s tour manager sends over a technical rider at 11 p.m. the night before a show, you need a team that can read it, flag conflicts with your house infrastructure, and have a workable plan ready by morning. When your ballroom booking shifts from a 400-person gala to an 800-person awards show three weeks out, you need a partner who can re-engineer the audio coverage and lighting design without disruption to your other operations.

That level of responsive casino event production requires technical depth, proven systems, and a genuine familiarity with how gaming properties actually operate. It is not something you can source through a hospitality vendor catalogue or a search engine at the last minute. Gaming property event production has its own rhythms, its own pressure points, and its own standards, and your partner needs to already understand all three.

Casino production managers are not looking for gear. They are looking for certainty, the certainty that the show will go exactly as promised, no matter what changes between now and showtime.

For context on what technical riders typically demand from large-venue production teams, the Stagent guide to artist riders offers useful background on the scope of expectations artists and their representatives bring to every engagement.

The Coordination Burden No One Talks About

Beyond the technical scope, production managers at gaming properties are managing relationships across departments simultaneously. You are coordinating with marketing on brand standards, with facilities on load-in logistics, with security on access timing, with food and beverage on timeline conflicts, and with entertainment talent and their representation, often all at once.

The right production partner reduces that burden rather than adding to it. They arrive with advance site walks completed, cable runs pre-planned, and a crew that can work within your property’s operational rhythms without creating new friction points for your team.

Additionally, they understand that the showroom going dark at 2 a.m. is not just a production problem. It is a floor management problem, a staffing problem, and a revenue problem. Casino showroom production runs on tight margins of error, and that operational awareness should be baked into how your AV partner works, not something you have to explain at every event.

A Final Word on Standards

Your guests have seen great production. They have attended concerts at major arenas, experienced world-class hospitality in other markets, and they carry those reference points with them when they walk into your showroom. The baseline expectation is high, and it is rising.

A casino entertainment program that consistently delivers exceptional audio clarity, compelling visuals, and lighting design that transforms a room is not a luxury line item. It is, in fact, part of what keeps guests choosing your property over every other option within driving distance. The casino audio visual services behind that experience are what make the difference between a night guests remember and one they do not.

To understand what today’s guests expect from a premium entertainment environment, it is worth reviewing how Global Gaming Business Magazine covers the state of live entertainment investment across casino properties and the role production quality plays in driving repeat visitation.

At Starlite, we work exclusively with properties that take that standard seriously. If your venue demands casino event production that performs at the level your guests expect, we would like to be part of that conversation.

Let’s talk about your production needs.

Whether you are building out a new entertainment calendar or re-evaluating your current casino event production infrastructure, we are ready to listen before we propose.

Starlite COO Honored Among Philadelphia’s Titan 100 Leaders

Starlite COO Honored Among Philadelphia’s Titan 100 Leaders

2026 Titan 100 Honorees Starlite

Titan CEO and headline sponsor Cherry Bekaert are pleased to announce Joe Masciangelo, Chief Operating Officer, Starlite as a 2026 Philadelphia Titan 100 honoree.

The Titan 100 program recognizes Philadelphia’s Top 100 CEOs & C-level executives. They are the area’s most accomplished business leaders in their industry, using criteria that include demonstrating exceptional leadership, vision, and passion.

Together, the 2026 Philadelphia Titan 100 honorees and their companies generate more than $71.6 billion in annual revenue and employ over 78,000 people across the region and beyond.

This year’s honorees will be published in a limited-edition Titan 100 book and profiled exclusively online. They will be honored at the annual awards ceremony on September 10th, 2026, and will be given the opportunity to interact and connect multiple times throughout the year with their fellow Titans.

“This year’s Titans represent more than success; they embody resilience, purpose, and transformation,” said Jaime Zawmon, President of Titan CEO. “Being a Titan is not just a title; it is a mindset, a way of leading with courage, serving with integrity, and creating something that outlasts you. It is about lifting those around you and leaving a legacy that inspires others to rise. These leaders stand as proof that the future of business is driven by those who turn vision into lasting impact.”

Joe Masciangelo is the Chief Operating Officer of Starlite, where he leads the company’s operations, strategic growth initiatives, and organizational development. He is passionate about building strong teams, fostering innovation, and creating exceptional experiences for employees and customers alike.

He will be honored at the Titan 100 awards celebration on September 10th, 2026, which will be held at 2300 Arena, Philadelphia. This elegant, cocktail-style awards event will unite 100 Titans of Industry for an unforgettable evening of celebration, camaraderie, and networking—an evening unlike anything that exists in the Philadelphia business community.

“On behalf of everyone at Cherry Bekaert, I want to congratulate this year’s Philadelphia Titan 100 honorees. We believe great leadership transforms organizations and communities alike, and this remarkable group of leaders exemplifies this at the highest level. Their vision, leadership, and lasting impact make them true Titans, and incredibly well deserving of this recognition”, says David Stonesifer, Partner at Cherry Bekaert.

The greatest value of the Titan 100 is not the award itself, it’s the community. The relationships I’ve built with fellow Titans have provided insight, encouragement, and perspective during some of the most important moments of my professional journey. I am honored to be recognized alongside such an exceptional group of leaders.

Joe Masciangelo

Chief Operating Officer, Starlite

Congratulations from all of us at Starlite!

Starlite Employees
Product Spotlight: ETC Lonestar Prime Moving Head Fixture

Product Spotlight: ETC Lonestar Prime Moving Head Fixture

A Fixture That Keeps Up With Real Production Demands

In live production, flexibility matters. Whether you’re working on a concert tour, corporate event, broadcast setup, or outdoor festival, you need lighting equipment that can adapt quickly and perform reliably.

The ETC High End Systems Lonestar Prime, now available for rental and purchasing through Starlite, was designed with that in mind.

This compact automated lighting fixture combines strong output, creative tools, and weather-ready construction for teams that need one fixture capable of handling multiple roles without overcomplicating the rig.

Why We Added ETC Lonestar Prime Rental Fixtures to Our Inventory

At Starlite, we don’t add equipment to our rental inventory lightly. Every fixture we carry needs to perform in real-world production environments. The Lonestar Prime checked all the boxes.✔️

It brings together output, flexibility, and durability in a way that makes sense for today’s productions. Whether it’s a concert, corporate event, broadcast, or outdoor setup, this is a fixture that can handle multiple roles without compromise.

Ultimately, that made it a must-have for our inventory.

 

ETC Lonestar Prime Rental for Concerts, Broadcast & Live Events

The Lonestar Prime delivers over 17,000 lumens, giving it the power needed for large stages, LED-heavy environments, and outdoor event lighting. At the same time, it maintains a smaller footprint than many comparable moving head profile fixtures.

Additionally, with its IP54 rating, it’s built for both indoor and outdoor use, offering protection against dust and light weather. That makes it a reliable option for unpredictable environments.

Because versatility matters in modern production environments, the Lonestar Prime became a strong addition to our rental inventory.

With a zoom range of 3.8° to 55°, it can shift from tight beam looks to wide coverage quickly. That flexibility allows designers and production teams to get more out of fewer fixtures.

For our clients, that means:

  1. More efficient lighting rigs
  2. Faster setup and programming
  3. Greater flexibility across different types of shows
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Creative Control Without Overcomplication

The Lonestar Prime offers a full set of tools that support both subtle design work and more dynamic looks.

Color and Output

  CMY color mixing with CTO for smooth, accurate color control

  Strong color rendering for both saturated and natural looks

Beam Shaping

▪  Framing shutters for precise control

Iris for tightening beams and aerial effects

Effects and Texture

  Rotating and fixed gobos for pattern projection

  Animation wheel for added movement

▪  Dual prisms for layered effects

  Frost filters for softening output when needed

Key Features Include:

  • IP54 rating for indoor and outdoor use

  • 17,000+ lumens in a compact automated lighting fixture

  • Wide zoom range for beam, spot, and wash applications

  • Full creative toolkit with gobos, prisms, and animation effects

  • Dual rotating and indexable prisms

  • Dual rotating gobo wheels with seven high-precision glass gobos

  • Focusable animation wheel with continuous rotation in both directions

  • Electronic dimming for smooth light adjustment

Built for Real Production Environments

 

  • HIGH OUTPUT IN A COMPACT FORm 

  • A FULL RANGE OF CREATIVE TOOLS IN ONE FIXTURE

  • WEATHER RESISTANT FOR INDOOR AND OUTDOOR USE

  • THE FLEXIBILITY TO HANDLE MULTIPLE ROLES IN A LIGHTING DESIGN

A Flexible Moving Fixture For Modern Productions

  • concert lighting & touring productions

  • corporate events & general sessions

  • broadcast & live streaming

  • theatrical & venue installations

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“The ETC Lonestar Prime checks a lot of the boxes we were looking for in this fixture class. The size/weight and feature set will make this a very useful tool for a lot of different applications, and the fact that it’s outdoor-rated is a huge bonus. We’re really excited to be adding these into our inventory.”
Jason Danowitz

Vice President of Show Technology, Starlite

NOW AVAILABLE— RESERVE FOR YOUR NEXT EVENT

The ETC Lonestar Prime moving head profile fixture is now available through Starlite.

Planning a tour, event, or installation? Our teams can help you determine how this fixture fits into your lighting design.

Contact us today to check availability and reserve units for your next production.

Church AV Integration at Fellowship Bible Church

Church AV Integration at Fellowship Bible Church

 

At Fellowship Bible Church, their gymnasium had become a multi-use environment that needed more attention to properly support the events they host for their community. From weekly gatherings to larger events, the room was being used often, but the audio experience was not keeping up. The challenge was clear: the space needed to sound as good as it functioned. This is where Starlite, a leader in Church AV Integration specializing in audio, video, and lighting systems for churches and multi-use spaces, stepped in.

 

The Challenge: A “Cafegymatorium” in a Church Setting

Large, open gymnasium spaces are known for poor acoustics. Hard surfaces, exposed structure, and high ceilings create reflections that make speech hard to understand and music difficult to control. In these environments, reverberation is not your friend. These types of multi-purpose rooms are often labeled as “cafetoriums” or “cafegymatoriums” because they are expected to serve many functions without fully supporting any of them well.

At Fellowship Bible Church, the room faced the same challenges. As a result, excessive echo. Inconsistent coverage. Structural elements like metal beams contributed to unwanted reflections and feedback. The existing system needed more than a simple upgrade. It needed a thoughtful AV integration and acoustic solution.

Before

After

STARLITE’S CHUCRH AV INTEGRATION APPROACH

 Starlite’s Integration Team partnered closely with Fellowship Bible Church to deliver a professional AV integration tailored for a house of worship environment and multi-purpose church spaces. The team focused on improving the gymnasium acoustics while installing the necessary equipment for clear, reliable audio across a wide range of events.

Working within the established system designs, Starlite executed the technology installation with precision, ensuring each system was installed correctly, programmed effectively, and fully operational upon handoff. To support long-term success, Starlite’s Field Engineer, Nick Minieri, also provided hands-on training, giving the church team the confidence to operate and manage their new system day to day.

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Acoustic Treatment That Changed the Room

Before any system can perform well, the room itself has to cooperate. Starlite installed 22 acoustic panels throughout the space to reduce reflections and control reverberation, a common challenge in gymnasium acoustics and other large multi-purpose rooms. These panels were strategically placed to address the most problematic surfaces and will be painted later to match the church’s aesthetic.

In addition, acoustic hardware was used to mitigate reflections caused by exposed metal beams. This step played a key role in reducing feedback and improving overall audio clarity across the room.

Once treatment was complete, the room was tuned to balance speech intelligibility and musicality. The difference was immediate. What was once a loud and unfocused environment became controlled and consistent.

System Installation

With the room under control, Starlite installed a professional-grade sound system designed for both power and clarity.

Main System Components:

  • 5 Martin T1230-W Passive Constant Curvature Enclosures
  • 1 Martin SX218-W Dual 18″ Subwoofer
  • 2 Martin IK42-DANTE Amplifiers with onboard DSP
  • Martin 15″ CDD Speaker
  • Acoustic Paneling
  • Rigging and hardware to support safe and precise deployment

Amplification and DSP were configured within a Dante-enabled audio network to ensure reliable performance and system flexibility. Additionally, the constant curvature design allows for even coverage across the listening area, which is critical in a wide, open gym. The subwoofer provides low-end support for music-driven events without overpowering speech applications.

The system was tuned to perform consistently across different use cases, from spoken word to full-band playback.

ELECTRICAL AND SYSTEM REFINEMENT

Beyond audio and acoustics, the project included updates to the electrical components supporting the system. These improvements provided a cleaner, more reliable foundation for daily operation.

Before completion, every system was tested, tuned, and verified before handoff. The result is a system the church staff can rely on without needing constant adjustment.

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THE RESULT

Fellowship Bible Church now has a gymnasium that functions as a true multi-purpose space. Speech is clear. Music translates well. Events can shift throughout the week without technical limitations getting in the way.

Ultimately, this project was not about over-designing the room. It was about solving the right problems with the right tools and executing the installation with care. As an experienced AV and lighting company, Starlite delivered a solution built for how the space is used every day.

Starlite installed two display systems in our church, and I must tell you they were very professional and had years of experience in this field. From the first communication to the last, what a great team of very experienced staff installed it. I really enjoyed working with them; it was extremely easy to explain ideas to them, and they will supply you with more than just ideas plus actual work. I would strongly recommend Starlite locally and nationwide. Excellent job!!

Alex S.

Starlite is the best !!! Our church has been with them for over 20yrs and they have never failed us.

David M.