AV Equipment Rental vs Buying: What Makes More Sense?

AV Equipment Rental vs Buying: What Makes More Sense?

Jul 6, 2026 | Audio, Equipment, Event Technology, Lighting, Production, Rental, Sales, Visual

Buying AV equipment sounds great in theory until you realize you now own:

  • Speakers
  • Cables
  • Lighting Fixtures
  • Road Cases
  • Batteries/Adapters
  • Software updates
  • Storage problems
  • Maintenance problems
  • & other gear nobody remembers how to use six months later

For many organizations, AV equipment rental is a more practical and cost-effective option than purchasing and maintaining equipment internally.

That is especially true for temporary events and productions, where technology changes quickly and equipment needs can vary from one event to the next.

Whether you are planning a corporate event, festival, fundraiser, conference, town event, concert, or community production, here are some of the biggest reasons renting often makes more sense than buying.

1. Buying Equipment Gets Expensive Fast

Most people do not realize how quickly AV costs stack up until they start pricing things out.

A couple speakers turns into: microphones, mixers, stands, monitors, cables, lighting, power distribution, cases, and backup equipment… and suddenly the “simple setup” isn’t so simple anymore.

Professional AV and lighting equipment is a serious investment, especially if you want equipment that actually performs well in live environments. And buying the gear is only the beginning.

You are not just buying speakers and lighting fixtures. You are also signing up for maintenance, repairs, transportation, storage, firmware updates, and eventual replacement costs.

If you only need equipment occasionally, AV equipment rental is usually far more cost-effective than owning everything yourself.

2. Technology Ages Really Quickly

AV technology moves fast.

Something that felt high-end five years ago can already feel outdated now — especially with especially with LED video systems, wireless microphones, digital audio consoles, projectors, and streaming equipment.

Organizations like AVIXA regularly track evolving trends and standards across the audiovisual industry, which is one reason many event teams choose rental equipment over long-term ownership.

This is one of the biggest advantages of renting.

You get access to current equipment without constantly chasing upgrades yourself.

That means your event can still have the following without having to rebuild your inventory every few years:

  • bright, modern displays
  • clean sound
  • reliable wireless systems
  • professional lighting
  • updated playback systems

Because honestly, outdated AV equipment shows up fast at events. People notice bad audio immediately.

3. Every Event Needs Something Different

A town festival does not need the same setup as a corporate presentation. And a fundraiser definitely does not need the same lighting package as a concert. That is one of the biggest advantages of AV equipment rental for events and temporary productions.

You can scale equipment based on crowd size, venue type, indoor vs outdoor setup, event length, production needs, and budget.

Some events only need a projector and a couple microphones. Others require full production support with staging, lighting, LED walls, livestreaming, and outdoor audio systems.

Renting lets you build the setup around the actual event instead of trying to force owned equipment into situations it was never designed for.

4. Technical Support Matters More Than People Think

This is the part people underestimate the most. The gear itself is only half the equation.

Because eventually, something goes wrong at an event.

A microphone cuts out. A laptop refuses to connect. A wireless frequency gets interference.
Audio suddenly disappears for no reason anybody can explain in the moment.

That stuff happens. What matters is having people there who know how to fix it quickly.

When you work with a professional AV equipment rental company, you are not just paying for equipment.

You are paying for support when something inevitably goes sideways. Anybody can order equipment online.

Keeping a live event running smoothly is the hard part.

5. Storage Becomes a Problem Very Quickly

Owning AV equipment sounds great until you have to store it.

Professional audiovisual gear takes up way more space than most people expect. Speakers, lighting fixtures, staging, truss, road cases, monitors, power equipment, and endless cable bins add up fast — especially once the event is over and everything needs a place to live.

And if equipment sits too long without maintenance, problems start showing up. Batteries die, cables go bad, software becomes outdated, accessories disappear, and suddenly equipment that worked perfectly six months ago is unreliable when you actually need it.

Honestly, most organizations do not want to manage all of that.

That is one of the biggest reasons people choose AV rental services instead. You get professionally maintained, event-ready equipment without having to worry about storage, upkeep, or managing inventory yourself.

6. Renting Reduces Stress

Most event organizers already have enough to manage between schedules, vendors, permits, staffing, sponsors, registrations, timelines, and guest experience. The last thing most people want is to also become responsible for troubleshooting professional event technology.

That is one of the biggest reasons renting simplifies the process.

A good AV production company helps you figure out what equipment actually makes sense for the event, what works best for the venue, what fits the budget, and what helps avoid unnecessary problems later on.

Because honestly, most events do not fail because of one massive issue. They fail because of ten small ones.

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So… When Does Buying Make Sense?

Buying AV equipment DOES make sense in some situations. Especially for the following:

  • permanent conference rooms
  • schools
  • houses of worship
  • municipal facilities
  • recurring in-house productions
  • businesses with constant AV needs

But even organizations that own equipment still rent all the time for:

  • larger events
  • outdoor productions
  • additional sound coverage
  • specialty lighting
  • overflow crowds
  • temporary setups

It is not always rent OR buy.

Sometimes the smartest setup is a combination of both.

Professional AV Rentals in New Jersey & Philadelphia

At Starlite, we provide professional AV equipment rental and lighting support for events and productions throughout New Jersey and the Philadelphia area.

We support corporate events, community festivals, fundraisers, conferences, races, concerts, municipal events, outdoor productions, live entertainment, and more. From sound systems and projectors to stage lighting, LED walls, and full event production support, our team helps clients build the right setup without overcomplicating the process.

Because honestly, most people do not need to own more equipment.

They just need the right equipment — and the right team behind it.

Tell us about your event

10 Mistakes That Ruin Outdoor Events | AV & Lighting Tips

10 Mistakes That Ruin Outdoor Events | AV & Lighting Tips

Jun 26, 2026 | Audio, Equipment, Event Technology, Lighting, Production, Visual

This is how your event falls apart before it even starts.

You can have great sponsors, a packed guest list, solid marketing, and months of planning behind you — but if the production side is not handled properly, outdoor events can go sideways fast.

Outdoor event AV and lighting requires far more planning than most people expect, especially when weather, power, sound coverage, and visibility all become part of the equation.

Power becomes harder. Sound behaves differently. Weather becomes part of the show whether you like it or not. And the small mistakes people ignore during planning are usually the same ones that create problems on event day.

Whether you are planning a concert, festival, fundraiser, town event, community race, outdoor movie night, or corporate event, these are the biggest mistakes that can quietly wreck an event before guests even arrive.

And yes, we have seen every one of them happen.

1. No Power Plan

Your event does not run on vibes. It runs on power. And if power goes down, everything goes down with it.

Sound systems. Lighting. LED walls. Vendor booths. Registration tents. DJ gear. Livestream equipment. Phone charging stations. Everything depends on proper power distribution.

One of the most common outdoor event mistakes is assuming: “We’ll figure power out onsite.”

That usually turns into overloaded circuits, tripped breakers, or somebody running extension cords across a field five minutes before doors open.

Outdoor event production requires actual power planning:

  • generator sizing
  • power distribution
  • cable runs
  • backup circuits
  • equipment loads

Because losing power mid-event is not really something you recover from gracefully.

2. No Real Setup Time

If your event starts at 6 PM, setup probably should not start at 4 PM.

That is how events end up rushed, stressful, and only half-tested. Outdoor events take longer to build than many people expect because crews are essentially creating a temporary venue from the ground up.

That can include staging, audio systems, lighting, LED displays, truss, cable runs, control stations, and power distribution. And something almost always takes longer than expected.

A proper AV and lighting crew needs enough time to tune the sound system, test microphones, troubleshoot issues, focus lighting, secure cables, and walk the site before guests arrive.

If setup feels rushed, it probably already is.

    3. Underestimating the Space

    Big outdoor spaces create big problems fast.

    This is why the people in the back cannot hear anything while the front row feels like they are standing inside the speakers.

    Outdoors, sound disappears quickly. There are no walls helping you out.

    A speaker setup that works perfectly indoors can completely fail outside if the coverage is not planned correctly.

    Professional outdoor sound systems need to account for:

    • crowd size
    • speaker placement
    • delay zones
    • ambient noise
    • wind direction
    • throw distance

    Because the back half of the audience should not feel like they are at a completely different event.

    4. Bad Cable Management

    One bad cable can shut down an entire event. Or take somebody out on the way.

    Loose cables are one of the fastest ways to create signal failures, power issues, safety hazards, and trip-and-fall accidents. Outdoor environments only make that harder with uneven ground, wet conditions, heavy foot traffic, utility vehicles, and dark walkways.

    Good cable management is not glamorous, but it is one of the things that separates professional event production from chaos.

    Nobody notices clean cable runs. Everybody notices when something stops working.

    5. No Backup Gear

    When something fails…what is the move? Because eventually, something WILL fail outdoors.

    Microphones die. Cables go bad. Speakers blow. Generators act weird. Wireless frequencies get interference.

    That is normal. The problem is when there is no backup plan.

    Professional AV production teams bring redundancy because live events do not pause while people run to the store.

    Backup equipment can include:

    • spare microphones
    • extra speakers
    • backup playback devices
    • secondary signal paths
    • additional cables
    • backup power solutions

    If there is no backup gear, then failure IS the plan.

    6. No Weather Plan

    You planned the event. Did you plan the forecast? Outdoor events are basically controlled chaos.
    You can spend months organizing an event and still end up fighting rain, wind, heat, mud, or brutal sunlight on show day.

    And weather does not care how much money you spent.

    This is why professional outdoor event production teams always have contingency plans for:

    • rain protection
    • wind safety
    • tent coverage
    • equipment protection
    • drainage issues
    • heat management
    • emergency shutdown procedures

      Professional outdoor event production teams should always have contingency plans in place for weather, safety, and emergency response procedures. Organizations like the Event Safety Alliance also provide guidance for live event risk management and outdoor event safety planning.

    The worst time to think about weather is when it is already happening.

    7. Not Accounting for Sunlight

    Daylight remains undefeated.

    One of the biggest mistakes in outdoor event AV and lighting production is forgetting how aggressive sunlight really is.

    Without proper planning:

    • LED screens get washed out
    • projectors become useless
    • cameras overexpose
    • presenters squint into the sun
    • stage lighting disappears completely

    Outdoor lighting is not just about brightness. It is about visibility.

    The position of the sun, event timing, stage orientation, and screen brightness all matter way more than most people expect. Sunlight will humble an event setup VERY quickly.

    8. Not Planning for Ambient Noise

    Outdoor events are noisy before your event even starts.

    Traffic. Wind. Crowds. Generators. Nearby stages. Construction. Airplanes.

    All of that competes with your sound system.

    This is usually where people realize: “Wow…this sounded a lot louder during the site visit.”

    9. No Signal Flow Plan

    Everything is connected. Until it’s not.

    Audio feeds video. Lighting depends on networking. Playback feeds multiple systems.
    Microphones route through consoles, processors, and amplifiers before anybody hears anything.

    And when nobody has mapped out the signal flow ahead of time, troubleshooting turns into people unplugging random cables while guests stare at the stage.

    This is one of the biggest differences between a professional event production company and a thrown-together setup.

    Good production teams know exactly how every system connects before the event even starts.

    10. Hiring the Wrong Team

    The cheapest option is usually the most expensive mistake. Anybody can rent speakers.

    What you are actually paying for is the team that knows what to do when something goes wrong 10 minutes before doors open.

    Because something usually does.

    Outdoor events require:

    • planning
    • logistics
    • technical coordination
    • live troubleshooting
    • communication
    • experience under pressure

    A professional outdoor event AV and lighting company is not just bringing equipment.

    They are bringing problem-solving. And that matters a lot more outdoors.

    Why Professional Outdoor Event Production Matters

    The best outdoor events feel effortless to guests. But behind the scenes, there is usually a massive amount of planning holding everything together.

    Audio visual production, outdoor sound systems, event lighting, temporary power distribution, staging, signal routing, and live event coordination all need to work together before the event even begins.

    At Starlite, we provide professional outdoor event AV and lighting services across New Jersey and the Philadelphia area, supporting festivals, concerts, races, town events, corporate activations, fundraisers, community events, and live productions.

    From outdoor audio systems and event lighting to staging and technical support, we help events run smoothly before, during, and after showtime.

    Because when production is done right, nobody notices it.

    They just remember the event felt good.

    Request Outdoor Event AV & Lighting Services

    Have dealt with Starlite many times over the past several years and I must say it’s been a pleasure. Very professional, friendly and always ready to answer any questions you may have.

    Loretta C.

    Why Your Casino Floor Deserves More Than Adequate Sound and Light

    Why Your Casino Floor Deserves More Than Adequate Sound and Light

    Jun 8, 2026 | Audio, Equipment, Lighting, Visual

    Parx Casino Lighting by Starlite

    Every casino is in the business of immersion. The moment a guest steps through your doors, you are asking them to believe in an environment. That belief is built through every sense at once, and when your casino event production falls short in audio, visual, or lighting, the spell breaks. You lose them before they ever sit down.

    The Stakes Are Different in Casino Event Production

    Production managers at gaming properties carry one of the most complex briefs in live entertainment. On any given week, your venue may need to host a headline concert in the main showroom, a private high-roller reception in a ballroom, a general session for 1,200 conference attendees, and a themed activation on the casino floor. Each of these demands a different technical setup, a different crew approach, and a different standard of execution.

    That is not simply an events calendar. It is an infrastructure challenge, and it demands a production partner who understands the difference between showing up and showing up prepared.

    The right AV partner does not just fulfill your tech rider. They protect your brand, your guest experience, and your operational timeline, every single time.

    Most venues can absorb a slow setup or an audio hiccup. A casino cannot. Your property operates around the clock. Load-in windows are narrow. Your guests are high-value and highly expectant. Consequently, a sound system that muddies dialogue during a comedy headliner, or lighting that flickers during a VIP dinner, is not a minor inconvenience. It is a brand failure with real revenue consequences.

    Casino entertainment spaces also present some of the most acoustically complex challenges in live production. Sprawling open floor plans, hard, reflective surfaces, and ambient noise bleeding in from gaming areas are not problems a plug-and-play rental company is equipped to solve. They require engineered solutions, proper system design, and experienced professionals who have worked these rooms before.

    Three Production Pillars Every Casino Property Should Demand

    1. Audio: Clarity in Difficult Rooms

    Line arrays, distributed systems, and proper gain staging designed around your specific architecture are all essential. A generic setup dropped in and left to chance is not a solution. Your audio system should be engineered for the room, not borrowed from a warehouse and hoped for the best.

    2. Visual: Screens That Perform

    From LED walls for main stage productions to seamless IMAG systems for large general sessions, your visual infrastructure should match the scale of your programming. Beyond that, it should be operated by technicians who understand pacing, camera direction, and how to keep an audience engaged across a long-format event.

    3. Lighting: Atmosphere by Design

    Concert-grade moving fixtures, precision color mixing, and control systems that let your team shift from a black-tie gala to a rock show with a single cue are the baseline. Great lighting design does not just illuminate a room. It transforms it, and in a casino environment, that transformation is part of what you are selling.

    As a starting point, consider how industry organizations like AVIXA define best practices for large-venue audio and visual integration. Those standards exist precisely because casino AV production at scale requires more than off-the-shelf solutions.

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    What Separates a Production Partner from a Rental Vendor

    A rental vendor delivers equipment and a driver. A production partner delivers outcomes. For a property like yours, that distinction matters enormously, and it shows up in the moments that are hardest to plan for.

    When an artist’s tour manager sends over a technical rider at 11 p.m. the night before a show, you need a team that can read it, flag conflicts with your house infrastructure, and have a workable plan ready by morning. When your ballroom booking shifts from a 400-person gala to an 800-person awards show three weeks out, you need a partner who can re-engineer the audio coverage and lighting design without disruption to your other operations.

    That level of responsive casino event production requires technical depth, proven systems, and a genuine familiarity with how gaming properties actually operate. It is not something you can source through a hospitality vendor catalogue or a search engine at the last minute. Gaming property event production has its own rhythms, its own pressure points, and its own standards, and your partner needs to already understand all three.

    Casino production managers are not looking for gear. They are looking for certainty, the certainty that the show will go exactly as promised, no matter what changes between now and showtime.

    For context on what technical riders typically demand from large-venue production teams, the Stagent guide to artist riders offers useful background on the scope of expectations artists and their representatives bring to every engagement.

    The Coordination Burden No One Talks About

    Beyond the technical scope, production managers at gaming properties are managing relationships across departments simultaneously. You are coordinating with marketing on brand standards, with facilities on load-in logistics, with security on access timing, with food and beverage on timeline conflicts, and with entertainment talent and their representation, often all at once.

    The right production partner reduces that burden rather than adding to it. They arrive with advance site walks completed, cable runs pre-planned, and a crew that can work within your property’s operational rhythms without creating new friction points for your team.

    Additionally, they understand that the showroom going dark at 2 a.m. is not just a production problem. It is a floor management problem, a staffing problem, and a revenue problem. Casino showroom production runs on tight margins of error, and that operational awareness should be baked into how your AV partner works, not something you have to explain at every event.

    A Final Word on Standards

    Your guests have seen great production. They have attended concerts at major arenas, experienced world-class hospitality in other markets, and they carry those reference points with them when they walk into your showroom. The baseline expectation is high, and it is rising.

    A casino entertainment program that consistently delivers exceptional audio clarity, compelling visuals, and lighting design that transforms a room is not a luxury line item. It is, in fact, part of what keeps guests choosing your property over every other option within driving distance. The casino audio visual services behind that experience are what make the difference between a night guests remember and one they do not.

    To understand what today’s guests expect from a premium entertainment environment, it is worth reviewing how Global Gaming Business Magazine covers the state of live entertainment investment across casino properties and the role production quality plays in driving repeat visitation.

    At Starlite, we work exclusively with properties that take that standard seriously. If your venue demands casino event production that performs at the level your guests expect, we would like to be part of that conversation.

    need a quote?

    Let’s talk about your production needs.

    Whether you are building out a new entertainment calendar or re-evaluating your current casino event production infrastructure, we are ready to listen before we propose.

    AV and Sound for Community Races and Running Events

    AV and Sound for Community Races and Running Events

    May 13, 2026 | Audio, Equipment, Event Technology, Lighting, Visual

    Planning AV and lighting for community races and running events takes more than setting up a few speakers near the start line. From outdoor sound coverage to power access and race-day communication, the right AV setup helps your event feel organized, professional, and engaging for participants and spectators alike.

    You have spent months organizing the route, recruiting volunteers, lining up sponsors, and getting registrations in. The last thing you want on race day is a PA system that cuts out at the start line, a DJ setup that sounds great in one spot and dead in another, or no way to communicate with participants spread across a course. Good AV and sound makes a community race feel like a real event. Bad AV makes it feel like an afterthought.

    Whether you are organizing your first 5K for a local nonprofit or managing an annual run that draws thousands, here is what you need to think about. Race organizers can also explore planning resources from the Road Runners Club of America when preparing community running events.

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    1. Outdoor Sound Is a Different Animal

    Indoor venues have walls to contain and reflect sound. Outdoors, sound just disappears into open air. A system that would fill a gymnasium will barely cover a start line festival area. Outdoor races need properly sized line arrays or column speakers pointed directly at the audience, and if your event has multiple zones, a start area, a finish line, and an awards stage, each zone needs its own dedicated sound setup. One system trying to cover everything never works as well as it should.

    2. The Start and Finish Areas at Running Events

    Most race directors think of AV as one thing, but a well-run race really has two distinct production moments. The start line needs energy, an MC hyping the crowd, music building to the starting gun, and a PA system that projects clearly across a wide-open space full of nervous runners. The finish line needs clarity, a name announcer calling finishers, a results feed if you have one, and enough coverage that people waiting for their friends and family can actually hear what is happening. Plan these as two separate audio needs, not one.

    Note: Many community races start at 7 or 8 AM. If your venue is in a residential area, check local noise ordinances before booking your sound system. The New Jersey Department of Environmental Protection provides guidance on statewide noise control requirements and local ordinance standards.

    3. Wind Is Your Biggest Enemy

    Wind does two things to outdoor sound: it pushes audio off-axis so it does not reach the audience, and it causes microphones to produce a low rumbling noise that drowns out the speaker. All microphones used outdoors need windscreens, and your AV team should know how to position and aim speakers to compensate for prevailing wind direction. This is not something to figure out the morning of the race.

    4. Power Access Has to Be Figured Out in Advance

    Parks, parking lots, and open streets, which are where most community races happen, rarely have convenient power access. Your AV company needs to either tap into nearby power with appropriate cabling or bring generators. Either way, this has to be scoped before the day of the event. Running out of power mid-race is not a recoverable situation.

    5. Don't Overlook The Awards Ceremony

    A lot of race organizers put all their energy into the start and finish and then scramble for the awards ceremony. This is actually a key moment, it is when sponsors get recognized, winners are celebrated, and the community feeling of the event peaks. Have a dedicated setup for the awards stage with a microphone, a speaker system sized for the crowd that will gather, and ideally some music playback capability. It does not need to be elaborate, but it needs to be planned.

    Quick Planning Checklist 📋

    1. Book your AV company as early as you confirm your venue and route
    2. Plan start line, finish line, and awards stage as three separate audio zones
    3. Confirm power access or generator needs at each location
    4. Make sure all microphones have outdoor windscreens
    5. Check local noise ordinances, especially for early morning start times
    6. Confirm a dedicated AV technician will be on-site for the full event
    7. Do a site walkthrough with your AV team before race day

    Serving Community Events Across New Jersey & Philadelphia Area

    ​Starlite has provided AV and sound production for community races, festivals, and outdoor events across New Jersey and the greater Philadelphia area for over 40 years. We know outdoor events, and we know what race day actually looks like on the ground. From a small neighborhood 5K to a large charity run, we handle the audio and production so you can focus on your participants.

    From AV and lighting for community races to full sound production for running events, Starlite helps race directors create organized, energetic experiences for participants and spectators alike.

    You run the race. We will handle the sound.

    RENT EQUIPMENT FOR YOUR EVENT

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    How to Plan AV and Lighting for Your School Graduation Ceremony

    How to Plan AV and Lighting for Your School Graduation Ceremony

    May 7, 2026 | Audio, Equipment, Event Technology, Lighting, Rental, Sales, Visual

    Planning graduation ceremony AV and lighting takes more than setting up a microphone and a few speakers. Graduation day is one of the most meaningful events your school hosts all year. The last thing you want is a microphone cutting out mid-speech, an echo bouncing off gymnasium walls, or a livestream dropping the moment a student’s name is called. The good news: with the right AV and lighting partner, none of that has to be your problem.

    Here is what you actually need to think about as you plan, without the technical overwhelm.

    1. Book Your AV and Lighting Team Early 🤝

    This is the most important thing on this list. AV and lighting companies in the Philadelphia and South Jersey area fill up fast during graduation season. If your ceremony is in May or June, reach out no later than February or March. Book your AV and lighting team at the same time you confirm your venue, these two decisions are directly connected.

    2. Sound Is the Foundation, and it Needs a Pro 🔊

    Every seat needs to hear every name clearly. Gymnasiums echo, while outdoor venues lose sound to wind. Additionally, a  professional AV company will walk through your venue before recommending a system, not just quote you equipment from a spreadsheet. Make sure they include a dedicated technician at the board on the day of, not just a setup and leave situation. Most importantly, always have a backup wired microphone at the podium. Always.

    3. Lighting Is Its Own Thing, Plan It Separately 💡

    Quick note worth knowing: in the events industry, lighting is typically treated as a separate discipline from AV. “AV” usually means audio and video. Lighting, even though it is visual, is its own category. So, when you are hiring vendors, make sure whoever you work with handles all three, audio, video, and lighting, as a package. Stage lighting that makes the ceremony look great in photos and on your livestream is not automatically included with every AV quote. Ask specifically.

    4. Plan for the Livestream 📹

    Families expect to be able to watch live. A quality livestream needs more than a camera on a tripod, it needs a dedicated operator, a clean audio feed from the board, and a reliable hardwired internet connection. And always record locally at the same time, so if the stream drops, you still have a clean file to share with families afterward.

    5. Do a Rehearsal 🎙️

    A technical rehearsal the morning of or day before the ceremony is not optional. This is when you find out that the podium is too far from the mic stand, or that the slideshow does not match the screen size. Fix problems in rehearsal, not in front of 500 families.

    Large graduation ceremonies involve more than just staging and sound. Schools should also coordinate guest flow, communication plans, and overall event logistics well ahead of the ceremony date.

    Schools can also review additional graduation safety and event planning guidance from the School Security resource center.

    To keep your graduation ceremony running smoothly, confirm these AV and lighting details ahead of time:

    Quick Planning Checklist 📋

    • Confirm venue & request technical spec sheet

    • Book your AV & lighting company 8 to 12 weeks out

    • Schedule a venue walkthrough with you AV and lighting team

    • Confirm sound, lighting, and video screens are all covered

    • Set up livestream & local recording

    • Send slideshow & video files to your AV team one week before

    • Schedule a technical rehearsal

    Serving Schools Across New Jersey, Philadelphia Area, & More

    Starlite has handled AV and lighting for graduation ceremonies, school productions, and assemblies across New Jersey and the greater Philadelphia area for over 40 years. We handle audio, video, and lighting together as one coordinated plan, so nothing falls through the cracks.

    You focus on your graduates. We will handle the rest.

    Need a Quote?
    Starlite AV Graduation

    Starlite is phenomenal to work with! We are so grateful for their knowledgeable team, their willingness to work with our budget & the ability to expand our existing system for special events.

     

     

    Lisa J.

    Starlite was great! I rented lights from them for the first time for an event and I loved it! They were very easy to work with and provided exactly what I needed. The customer service was exceptional and I am looking forward to working with them again in the future. The lights themselves were great and I got positive feedback from my team and attendees at my event. Definitely worth the recommendation!
    Gregory B.